You are currently viewing A Song for St. Cecilia’s Day by John Dryden | A Song for St. Cecilia’s Day | John Dryden | Explanation | Summary | Key Points | Word Meaning | Critical Appreciation | Questions Answers | Free PDF Download – Easy Literary Lessons

A Song for St. Cecilia’s Day by John Dryden | A Song for St. Cecilia’s Day | John Dryden | Explanation | Summary | Key Points | Word Meaning | Critical Appreciation | Questions Answers | Free PDF Download – Easy Literary Lessons


A Song for St. Cecilia’s Day by John Dryden | A Song for St. Cecilia’s Day | John Dryden | Explanation | Summary | Key Points | Word Meaning | Critical Appreciation | Questions Answers | Free PDF Download – Easy Literary Lessons


A Song for St. Cecilia’s Day, 1687

Stanza 1

From harmony, from Heav’nly harmony

This universal frame began.

When Nature underneath a heap

Of jarring atoms lay,

And could not heave her head,

The tuneful voice was heard from high,

Arise ye more than dead.

Then cold, and hot, and moist, and dry,

In order to their stations leap,

And music’s pow’r obey.

From harmony, from Heav’nly harmony

This universal frame began:

From harmony to harmony

Through all the compass of the notes it ran,

The diapason closing full in man.

Stanza 2

What passion cannot music raise and quell!

When Jubal struck the corded shell,

His list’ning brethren stood around

And wond’ring, on their faces fell

To worship that celestial sound:

Less than a god they thought there could not dwell

Within the hollow of that shell

That spoke so sweetly and so well.

What passion cannot music raise and quell!

Stanza 3

The trumpet’s loud clangor

Excites us to arms

With shrill notes of anger

And mortal alarms.

The double double double beat

Of the thund’ring drum

Cries, hark the foes come;

Charge, charge, ’tis too late to retreat.

Stanza 4

The soft complaining flute

In dying notes discovers

The woes of hopeless lovers,

Whose dirge is whisper’d by the warbling lute.

Stanza 5

Sharp violins proclaim

Their jealous pangs, and desperation,

Fury, frantic indignation,

Depth of pains and height of passion,

For the fair, disdainful dame.

Stanza 6

But oh! what art can teach

What human voice can reach

The sacred organ’s praise?

Notes inspiring holy love,

Notes that wing their Heav’nly ways

To mend the choirs above.

Stanza 7

Orpheus could lead the savage race;

And trees unrooted left their place;

Sequacious of the lyre:

But bright Cecilia rais’d the wonder high’r;

When to her organ, vocal breath was giv’n,

An angel heard, and straight appear’d

Mistaking earth for Heav’n.

GRAND CHORUS

As from the pow’r of sacred lays

The spheres began to move,

And sung the great Creator’s praise

To all the bless’d above;

So when the last and dreadful hour

This crumbling pageant shall devour,

The trumpet shall be heard on high,

The dead shall live, the living die,

And music shall untune the sky.


A Song for St. Cecilia’s Day by John Dryden

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